An Odd Mix of Joy and Sorrow: Christ Jesus Lay in Death’s Strong Bands

A few weeks back, I wrapped up a class about hymns at the church.  We looked back at how music was used in worship throughout the ages and looked at some particularly famous hymns along the way.  If you’re interested in that kind of thing, we used the book Then Sings My Soul: Book 3 by Thomas Nelson, which is not only approachable and concise, but does a nice job of blending history and music. 

There’s one hymn that really stuck with me from that class: “Christ Jesus Lay in Death’s Strong Bands” by Martin Luther (sheet music and full copy of the lyrics here).  I have no idea how common this hymn is among Lutherans.  For all I know, they sing it every week.  Goodness knows Methodists know more than their fair share of Charles Wesley hymns.  However common it might be in other traditions, it was totally foreign to me, which means I could appreciate just how weird (and wonderful) it was. Here’s a great rendition by Concordia Publishing House:

First off, it’s an Easter song in A minor.  Who writes an Easter song in a minor key?  Easter is a celebration!  It’s glorious!  I don’t expect sad music!  But here’s Death’s Strong Bands, full of melancholy, proudly announcing Easter.  It’s a mix of joy and sorrow that I didn’t expect on Easter.

The lyrics have that same tension.  Just look at verse 1:

Christ Jesus lay in death’s strong bands
for our offenses given;
but now at God’s right hand he stands
and brings us life from heaven.
Therefore let us joyful be
and sing to God right thankfully
loud songs of alleluia! Alleluia!

The first two lines are intensely melancholy, so much so that I’m surprised by the heavenly triumph that follows! And before you say, “Hold on, Vincent!  What if Martin Luther was only saying something like ‘Christ died for us,’ in the first verse?  That could certainly be considered joyful,” hear me out.  The whole hymn vacillates between triumph and sorrow:

  • Verse two is about how all of humanity was enslaved to sin and death (mournful)

  • Verse three is about Jesus destroying death and taking its crown (triumphal)

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    Verse four is about the “strange and dreadful strife” when good and evil fought and good won (triumphal, but with mournful undertones)

  • Verse five compares Jesus to the paschal lamb that died so his blood could save others (could be played either way; suffering love is a complex theme)

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    Verse six and seven switch into high celebration, explicitly saying that it’s Easter and we should remember it with food, drink, and celebrations (highly triumphal)

When I talked to the class about this particular hymn, it turned out to be a lot less popular than I expected.  The most popular complaint was that it was just too gloomy to sing on Easter and too perky to sing on Good Friday. Maybe it could fit in on a Palm/Passion service? But even then you’d have to cut out the verse that explicitly says it’s Easter. It came off like a hymn with some problems that would need solved before it saw it’s day in Sunday worship.

Apparently the people who compiled the United Methodist Hymnal felt the same way.  They cut verses two, three, and five, removing the themes of death, sin, and atonement (the stuff we usually associate with Good Friday). What’s left is significantly more triumphal. Given that verse six and seven are the only two “very triumphal” verses, the percent of the hymn dedicated purely to celebration rockets up from 28% pre-edit to 50% post-edit. This is a common edit of the hymn shared by most mainline denominations and a few evangelical ones.

I can’t help but feel we’re losing something with edits like this. The tension between joy and sorrow and the battle between good and evil are what made the song interesting to begin with! If we ditch that, what are we left with? A weird, subpar Easter hymn that’s arbitrarily in a minor key. Gross. But I get what they were trying to do! They wanted to tip the balance between joy and sorrow in favor of joy! They wanted to resolve the tension and make it a little more Eastery! But resolving that tension made it boring and odd.

If were going to give it some tweaks to help it find a place in worship, a better solution (in my mind) is showcased by efforts like the band Koine. Rather than remove the tension between the celebratory stuff and the mournful stuff, they leaned into that tension. They removed verses 6 and 7 (the explicit references to Easter) and basically turned it into a Good Friday hymn:

Now that’s worth singing!  The minor key makes sense.  I get it.  The sweetness of salvation and the bitterness of Christ’s death are properly intermingled.  It feels a lot more loyal to Luther’s original intent as well. I can’t fathom someone asking him if they could ditch the stuff about Christ’s death and sin and him saying, “Oh, for sure!  Now that I think about it, it was a little gloomy.”  Not a chance.

I do have to admit that the original draft is definitely an odd hymn and a tough sell for Easter.  I almost wonder if you could split the verses and make two versions: the Good Friday edit would have verses 1 through 5, and the Easter Sunday edit would have verses 1, 6 and 7.  If you sang those different versions on their appropriate days during Holy Week, it might give a sense of continuing work that works really well. But maybe I’m working too hard to make an odd hymn work.  Or maybe I’m not properly appreciating what Martin did in the first place! Either way, this hymn’s mix of joy and sorrow hit me just right. I’ll keep pondering this hymn for weeks to come.

Theology Battle: Luther vs Erasmus

I get weirdly excited whenever I read about two theology legends having a showdown.  I probably shouldn’t.  It almost never ends well for one of them (see anyone who debated anything against Augustine), but seeing these legendary ideasmiths meet on the field of battle feels like a larger-than-life moment.  I guess it’s the theology geek’s equivalent of having an action movie with a showdown between Arnold Schwarzenegger and Dwayne Johnson; you know someone has to lose the exchange, but you’re gonna buy that ticket.

Recently, I’ve been poking around in Luther’s history and it turns out he had a showdown with the humananist scholar, Erasmus!  Today, Erasmus isn’t seen as in the same league as Luther, but in his time, he was a huge deal.  He was one of the most published authors in Europe, an international theological scholar, and a strong advocate for reform in the church.  Little did he know, Luther would experience a meteoric rise and end up eclipsing him in each of those categories.  Luther would be the author that legitimized the printing press, the scholar that would give a massive theological school it’s foundational logic, and the reformer that would kick off Protestantism.

Erasmus first heard about Luther when a mutual friend passed on a critique.  George Spelatin told him that an Augustinian monk friend of his was concerned about the way that he framed works and original sin in his translation of the New Testament.  At the time, Erasmus didn’t think much of it. And reasonably so! Imagine a young professor at the rinky-dinkiest community college sending a Harvard professor their critiques.  That’s the modern day equivalent.  But as time went on, Luther’s star rose and Erasmus’s waned.  Before too long, Erasmus wrote a book attacking Luther’s understanding of free will (De Libero Arbitrio) and Luther was the one to ignore the critique.  He said it was “an unlearned book from such a learned man,”(Brand Luther, p. 233) and didn’t bother to respond for five years.  When he finally did respond with his own book, Erasmus churned out another response as quickly as he could, but Luther just ignored him.  The once-mighty Erasmus was old news.

What happened? Why couldn’t these two fans of church reform get on the same page? And how did Luther crush him so easily?

Fans of both men paint their inability to cooperate as a matter of temperament.  Luther was a bombastic, larger-than-life fighter.  He was happy to verbally obliterate the church hierarchy when they were wrong, and he would fight until the end for what he thought was right.  He was also always finding ways to reach out to the everyman.  His bestselling pamphlets boiled down complicated theological ideas into little papers that anyone could read.  He was a parish priest as well as an academic.  To detractors, he was a populist demagogue, and to fans, he was a fiery prophet of the people. Either way, he was an unrelenting fighter, willing to give everything for what he loved.  To him, Erasmus was a naïve coward, hiding in an ivory tower:

[Erasmus is] not concerned for the cross but for peace thinks that everything should be discussed and handled in a civil manner and with a certain benevolent kindliness.
(Letter from Luther to Spalatin, Sept 9, 1921, as quoted in Brand Luther, 231)

Erasmus, on the other hand, was more moderate, patient, and renowned for his cleverness.  He wrote big books for people that were educated enough to read them.  His legendary wit was his best tool for reform.  He railed against the corrupt priesthood in veiled satire, and he wrote in Latin or Greek (the languages of the educated).  Even though he agreed with Luther on some points, he never entertained splitting from the Catholic Church.  This was his home.  He wouldn’t break from tradition and the path that the Fathers had passed down (even if things had gotten a bit muddled).  To him, Luther was a tradition-killer who was willing to warp all of Christianity to his will:

You stipulate that we should not ask for or accept anything but Holy Scripture, but you do it in such a way as to require that we permit you to be its sole interpreter, renouncing all others. Thus the victory will be yours if we allow you to be not the steward but the lord of Holy Scripture. (Hyperaspistes, Book I, Collected Works of Erasmus, Vol. 76, pp. 204–05.)

Naturally, two men as different as this would come to different conclusions about the right course of action in the face of religious corruption.

There are lots of other differences between these two that could be key as well.  One emphasized the power of God, the other focused on the capacity of men.  One signaled an emerging nationalist sentiment, the other was an international figure.  One divided the church over doctrine, while the other longed for internal reform. 

In modern conversation, I’ve noticed that this showdown is heavily politicized.  Liberal readers associate Erasmus with some kind of proto-secularism that emphasized behavior over religious doctrine, while they see Luther as a small-minded populist.  More conservative readers see Luther as a man of integrity, standing for religious liberty, and Erasmus as a sniveling puppet of the bureaucracy, happy to speak in safe, smart circles about how he’d like change, but too cowardly to do anything that put him at risk.  Frankly, both views reek of more interest in modern politics than the Christian past.  Like him or not, Erasmus legitimized Luther and paved the way for the Reformation with his cries about corruption and demands for reform.  Even if he never jumped ship, he was crucial. You lose a key player in the religious landscape of the time if you cut him out. And a 15th century medieval priest like Erasmus said and did things that would make a modern secular humanist cringe.  A lot of his complaints were also echoed and escalated by Luther. These people are from their own times, not ours.  Modern caricatures equating these two to modern political stances are almost always inaccurate and lazy.

But I suppose we all have to understand their story on terms that make sense to us.  I’m still wrestling with their little scuffle myself!  Strangely, I feel closer to Luther, but I imagine I’d probably get along better with Erasmus.  Part of that is probably Protestant pride.  Sola scriptura and all that, right?  Luther’s reputation certainly hasn’t hurt him either.  He’s a hero! There’s something admirable about risking your life for what you believe.  Luther putting his blood on the line makes Erasmus’s scathing quill look kinda wimpy in comparison.  On the other hand, it’s hard to not lament over the divisions in Christianity, and Luther decisively struck the blow that would shatter the establishment.  Was it worth it?  Was Rome so irredeemably corrupt that division was the only solution with any integrity? Or was Erasmus an unheard prophet for unity that the reformers desperately needed to hear?

I’m not sure where I fall in the end. I love so many of the gifts that Protestantism has brought, but I lament the divisions that came with it.  Both men are heroes in their own right, even if only one made it to popular history books. Luther definitively won the day and brought so many wonderful things, but maybe Erasmus’s cry for tradition and unity needs to be heard today by the thousands of denominations that represent the children of the Reformation.

If you want to know more about these two, check out Andrew Pettegree’s Brand Luther or Michael Massing’s Fatal Discord.